classical_music_glossary

[[Classical]] [[music]] Glossary

  1. music Glossary]]

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A Glossary of [[Classical music Terms]]

By John J. Puccio

If you’re like me, from time to time you may have to look up an occasional musical term]]; thus, with the help of the Random House Unabridged Dictionary, the Harvard Concise Dictionary of [[music, and other such reference works, I’ve compiled this little guide to some of the most commonly used Classical music expressions]] you might run across, alphabetically arranged.

If you need to refer to the glossary again, you’ll find it in the left-hand column of every page.

  • Impressionism - “A term borrowed from painting in which there is a concern for light and its perception rather than the symbolic, literary, or emotive value of the thing perceived; thus, there is an avoidance of traditional musical forms. A composition suggesting lush harmonies, subtle rhythms, and unusual tonal colors to evoke moods and impressions.” (B08QVNQNZT, Z on Wiktionary)
  • Kapellmeister - “Originally an honorable title (chapel master) for the conductor of a small or private orchestra, band, or chorus; now an old-fashioned provincialism for conductor.” (B08QVNQNZT, Z on Wiktionary)
  • romantic, romanticism]] - “An important movement in literature and music in the 19th and early 20th centuries, essentially a reaction against the intellectual formalism of the Classical tradition, characterized by a call for return to simplicity and naturalism, subordinating form to content, encouraging freedom of treatment, emphasizing imagination, emotion, and introspection, and often celebrating nature, the ordinary person, and freedom of the spirit.” (B08QVNQNZT, Z on Wiktionary)
  • Sempre - “Always; as in “sempre legato,” legato throughout.
  • V[[Ariation]] - “The modification or transformation of a musical idea in a way that retains one or more essential features of the original.” (B08QVNQNZT, Z on Wiktionary)
  • Verismo - “The use of everyday life and actions in artistic works; introduced into opera in the early 1900’s in reaction to contemporary, idealistic conventions, which were seen as artificial and untruthful.” (B08QVNQNZT, Z on Wiktionary)

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classical_music_glossary.txt · Last modified: 2024/04/28 03:43 by 127.0.0.1

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